Wednesday, November 7, 2012

Let's end the Party!

I'm with Sergey!

I've distanced myself from posting political rants in the social media soup this presidential election year. I wasted enough time arguing and trying to change the minds of people with differing views last time around. And it's no secret which way I lean. But the two things that have really stuck in my craw this time are the Presidential campaign circus and the polarizing party system.

It's really time for the president to clean up the wasteful processes of seemingly endless campaigning, diverting the attention from the important tasks at hand. And he should leave the Democratic Party. I'm not saying Democrats are all bad or wrong. Hell, I voted straight across the party line. But it's time for the whole country to get off the two-party bandwagon and start dealing with each issue on their own merits.

What a huge step if President Obama did this! People would eventually have to actually educate themselves on the candidates and their positions before they vote, rather than hunting for the (D) or the (R) next to the name (I'm as guilty as any!) No more fruitless "reaching across the aisle," because there would be no aisle!

Maybe this Cold Civil War will cool down (so to speak).


Thursday, October 18, 2012

SlapCon 2012


On Sept. 21st, I drove down to LA to participate in the first annual SlapCon, a convention of pratfalls, silly stage combat, and comic stunts. Organized by the great comic juggler and comedian Scot Nery, SlapCon was a two-day tour de force in learning and exploring the ins and outs of physical comedy. The convention was held at an amazing homemade gym attached to the home of Jack and Jeri Kalvan. With tall ceilings, crash mats, padded flooring, and mirrors galore, we were primed to get nice and bruised and sore for the weekend.

Day one began with introductions and a quick primer on basic slaps, hits and falls by clown Tuba Heatherton. We then broke up into teams to eventually present a short slapstick act of our choosing at the end of the second day. Stefan Haves was on hand to teach multiple amazing workshops over the course of the two days--on clowning, trips, falls, and double takes.

In the middle of he first day, the entire group happily devolved into a free-for-all of unstructured lessons on various falls, hits and kicks--especially some long falls onto a big crash mat. This is where we really got to know what the needs and the skill levels of the individuals were. It also became clearer in what the direction SlapCon wanted to point itself.

After the free-for-all, the group sat down for a long discussion on the definition and history of slapstick. I was of the opinion that maybe at the next SlapCon, we could go through slapstick through history and maybe try to recreate it. From Vaudeville or even much earlier, through the Chaplin/Keaton era, through Three Stooges, through movies like Singing in the Rain, through television shows like The Dick Van Dyke Show and Three's Company, all the way up to Jackass and Tosh.0 today.

Then we got back on our feet for more structured work with falls and double takes with Stefan.



Day two began with a great workshop on Alexander Technique by Kate Conklin, giving us some incredibly useful tips on how to perform outrageous acts of lunacy, while paying close attention to our body's alignment, so that we can keep what we do safe and effective.

Then I began my workshop of silly stage combat. The night before, I sat down and wrote out a 20-second, 3-person fight for everyone to learn. I demonstrated each punch, kick, and grab separately as the whole group paired off. Then I built the fight sequence for each group of three. Everyone dove into the challenge with relish and enthusiasm. It seemed to be a big sweaty success by the end of it.

After dinner, Scot asked us all for one last presentation of our own devising, either solo or in small groups to show to each other. Scot, Amanda and I put together a three-person fight where I played a douchebag with my bitch on my arm trying to get past a bouncer to get into a club. The bouncer would get the best of me before being walloped by the bitch. The real highlight, though, was Jon, Jareb and Momo as they picked up their original, first-day presentation, and pretty much added a ridiculous summary of the entire two days into their story.

After many tearful goodbyes by everyone, the group did one final (funnily unsuccessful) exercise before disbanding into a alcohol-induced lovefest.

Very much looking forward to SlapCon 2.0 next year!



Friday, March 9, 2012

Offerman/Mullally - Defiant Gets Some WTF Juice


My buddy Keith Ellis tipped me off to a LA podcast that had an interview with Nick Offerman and Megan Mullally. It was really nice to hear both of them talk about the business and their backgrounds in a genial, long form. There's some sweet history and analysis of the Chicago entertainment scene. 

And as a bonus, Nick goes into some good detail about Defiant Theatre, and they both mention Sci-fi Action Movie in Space Prison, which they both saw in 2001. You can watch the entire play (in 20 chapter chunks) here.


Nick also gives great insight to the unbelievable deluge of Ron Swanson fan art that's arisen in the past couple of years. 

This gem was found in an art gallery at Las Vegas' First Friday fest!

Thursday, March 8, 2012

Springtime with Devils

This April and May, I will have the good fortune to tour once again with the Handsome Little Devils, the Denver-based, nouveau vaudevillian troupe, in their hit show Squirm Burpee. I spent the better part of November 2011 with them in New York and New Hampshire in this "vaudevillian melodrama". I've praised these folks before, more from afar, and was hoping one day to work with them. And luckily enough, I get to!

I play the lovably evil Baron Vegan Von Hamburger, one of four characters in this non-stop thrill-ride of juggling, swing dancing, and steampunk wet-dream!

It was a welcome return to actually recite lines again, something I haven't done for about 3-4 years. I've been mostly sticking to the physical stuff with Cirque du Soleil and Le Reve. Now, as the show's malcontented narrator, I have quite the mouthful of soliloquies to growl and sneer through. It's a lot of fun!

This April we'll be touring multiple cities in New Mexico, and then immediately following, we trek over to Cleveland, OH for a week of the International Children's Festival at the Playhouse Square.

If anybody is in either of these areas, please look me up and bring the family to the show!

The next challenge is mapping out summer plans! Stay tuned!

Monday, March 5, 2012

Pratfalls with JimmySlo

Just taught my first Comedic Pratfalls class. It was a one-on-one with Le Rêve wardrobe assistant, Rudy Uresti. I was pretty nervous that I wasn't going to fill two hours worth of useable, interesting content. But it turned out pretty good. I think I'm putting together a solid curriculum for a bigger class. I've always thought I SHOULD eventually try my hand at teaching, I just needed an extra boost to get the ball rolling, and I think this class was it.

In the Vegas area and want to learn how to fall down correctly, safely, and funnily? Give me a jiggle!

Not in the Vegas area and want to try your hand anyway? The next best thing would be to get the instructional video!

Wednesday, December 14, 2011

The Dictator... Really?!


Like an excited schoolgirl, I rushed to my computer to watch the trailer for Sacha Baron Cohen's upcoming comedy, The Dictator.

I've been a huge fan of his since Ali G, but I've admittedly been skeptical of both Borat and Bruno before they came out. When they announced Borat, I was actually disappointed. It was not my favorite character on Ali G, and I was hoping for an Ali G or Bruno movie--I thought they were stronger characters. Of course, when I saw it, I thought it was a masterpiece. Then when they announced Bruno, I was a little disappointed again. I thought SBC was going to just follow the same formula, I thought it was a bit of a cop-out. But then Bruno blew me (ahem) away! I also really enjoyed SBC's supporting performances in Talladega Nights and Sweeney Todd.

So when I heard he was making a new movie called The Dictator, for the first time I was thrilled. Maybe this was going to be another schmuck-the-real-people flick, but now he's a huge leader of a nonsense-named country, or something like that. I was going to forgive the potential that it would again follow the same formula, since it worked so well last time. He's gotta outdo himself with this one, right?

Well, when I fired up the trailer on YouTube, I was pretty excited until I saw all the famous people supporting in his cast--Ben Kingsley, John C. Reilly, Megan Fox. And his jokes were the same pointedly offensive jabs at modern culture, but the only thing that was missing was the look of genuine horror/confusion/anger on the real non-actors he played against in the past.

I'll have to go back and check the other movies, but I suspect if the Borat or Bruno gags were taken into a pure narrative filmmaking scenario, they wouldn't be very funny. The "straight man", in the comic sense, in the other two films was absolutely integral. And while both movies had very funny narrative elements sprinkled in, and some of the candid moments were probably a little less candid than they let on, the places where I laughed and cringed the most were when people genuinely reacted--not acted reacted. In fact, the narrative sections of those movie just supported the anticipation of the real-people scenes.

I'll give it a chance--I've been wrong about SBC before, maybe I will be surprised again. But the trailer doesn't seem to do a potentially great movie justice. It looks like Adam Sandler in a schlocky remake of Coming to America. Am I alone here?

And, I mean, come on... Am I crazy for thinking this looks like a funnier movie:

Monday, December 5, 2011

Thanks for the 'tude, Doctor!

Had to take the boy in for his scheduled vaccines. Robin and I have done a lot of research and discussion about putting together a vaccination schedule. Being itinerant for the first year of his life, then being on and off health insurance, we've unfortunately had to bounce from pediatrician to pediatrician.

Today, we saw a new doctor for the first time to get his fourth DTAP and his Chicken Pox vaccines. I brought in the spreadsheet that we made up for his schedule and showed it to her. I also showed her some of the past height, weight, and head size data I had in my iPhone. She seemed put off by it all.

First, she said she couldn't find all of his records paperwork, but she almost brushed off my iPhone with disdain. Sorry, lady, technology trumps your absent tree-killing papers! And then she had the gall to tell me, "I don't believe in this schedule," referring to our spreadsheet. The boy is almost two, he's been getting shots all along the way, he's healthy as a horse--now is not the time to judge our process. I didn't need her opinion about our method, I needed her recommendations, and we'll make the final decisions about our child's future, thanks.

And she also could have spared us the line about how she's seen children die of mumps, chicken pox, and HepB. I'm not a small-time bumpkin that just stepped off a boat. Of course I didn't go to medical school for X amount of years, but I do live in the 21st century, where a much better educated decision can be made than just blindly going along with whatever snotty person with a PHD has to say.

The little guy cried a bit at the shots but then recovered like a champ. I think I'll recover from the doctor visit by taking my child's healthcare elsewhere.

End of rant.

Tuesday, April 12, 2011

Apple announces Final Cut Pro X | Video | Creative Notes | Macworld

Good lord AND it's only $300??????

Apple announces Final Cut Pro X

On Tuesday, Apple previewed Final Cut Pro X, the newest version of the company's professional non-linear video editing software. The announcement came at the Final Cut Pro User Group Network Supermeet, being held in Las Vegas during the 2011 National Association of Broadcasters Show.


In addition to a complete UI overhaul, Final Cut Pro X boasts a newly designed floating point linear color system, up-to-4K-resolution-independent playback, a magnetic timeline for keeping audio and video in sync, Compound Clips for easy video nesting, non-destructive color balancing, automatic audio cleanup, and Smart Collections for organizing clips.Apple says Final Cut Pro X has been rewritten from the ground up, with support for 64-bit, a user-interface redesign, and a whole host of new features. The software takes advantage of core Mac OS X features like Cocoa, Core Animation, Open CL, and Grand Central Dispatch to speed up and fine-tune performance.

The new software has additionally borrowed a trick or two from Apple's consumer-level video editing software, iMovie: It now supports full background rendering—“the render dialogue is gone!” said Apple video architect Peter Steinauer—and an inline precision editor. It also sports the same automatic face detection (single or group) as iMovie or and the ability to identify shots (medium, wide, or close-up).

Steinaeur spoke briefly about the new features before Apple’s chief architect for video applications, Randy Ubillos, came on-stage for a full walkthrough of the software.

Final Cut Pro X will be available this June from the Mac App Store for $299.

[via @FCPsupermeet on Twitter]


iPad 2 and iPhone 4 3D demonstration, no glasses required [video]

Pretty eerie and cool!


 

via TiPb - The #1 iPhone, iPad, and iPod touch blog by Chris Oldroyd on 4/12/11


The EHCI Research Group has produced a demonstration video of 3D without glasses on an iPad 2 and iPhone 4 that will make your jaw drop to the floor! The possibility of glasses–free 3D hitting iOS devices has just become a reality.
Head-Coupled Perspective (HCP) on mobile devices allows to create a glasses-free monocular 3D display. It is based on a efficient head-tracker that uses the front-facing camera of the device. We use an off-axis projection in order to adapt the perspective of the 3D scene according to the head's position of the user. Such spatially-aware mobile display enables to improve the possibilities of interaction.
The videos are after the break, you have to see them to believe how good they are. When you have, let us know what you think in the comments!
[EHCI via macstories]



iPad 2 and iPhone 4 3D demonstration, no glasses required [video] is a story by TiPb. This feed is sponsored by The iPhone Blog Store.

TiPb - The #1 iPhone, iPad, and iPod touch Blog

A 12-Step Guide to Fostering Your Creativity

via Mashable! by Kelli Shaver on 4/12/11


The Web Designer Series is supported by Wix.com, a free Flash online builder that makes website creation a breeze. Click here to create your own website now.
One skill that every designer must learn — and quickly — is how to be creative on-demand. While there will always be specifications that guide a project as well as tried and true methods of solving common visual problems, one must still be able to get focused, get creative and produce work that doesn't end up looking formulaic or forced.
Unfortunately, though, not every project will be tantalizing and fun, and there will be days when you simply don't want to go to work, no matter how much you love your job. How do you keep the creative spark going when you're not feeling particularly inspired? We have 12 simple tips you can use to foster a more creative mindset.
While most of these tips are for the freelance designer who works independently, anyone in a creative industry should be able to relate and gain insight from them.

1. Set a Schedule




Having a fixed schedule may sound counter-productive to creativity, but in fact, it has several benefits. Knowing what you're going to do and when you're going to do it can free your mind to focus on the task at hand without worrying about all of the little things that can distract you. Setting aside two hours on your Monday mornings to deal with business paperwork, for instance, means you won't be distracted from Wednesday's project by rushing out to pay the office electric bill. Fixed office hours means that — most of the time — you won't have to take work home with you, which will lower your overall stress level.

2. Have a Dedicated Workspace — Most of the Time


Similar to setting a schedule, having a dedicated workspace frees you from distraction and gives you a place where you can surround yourself with the items that inspire you and make you feel most comfortable. It also helps to separate work life from personal life, a mix that can leave some people overwhelmed. Establishing a good work-life balance is important to maintaining a healthy attitude about your job. That said, don't be afraid to mix it up now and then, though. Working from the back deck on a nice day can be a refreshing break in the routine, particularly when your creative juices have stalled.

3. Talk About What You're Doing


This is especially important for freelance designers working on their own — share your work with others and talk about what each of you is working on. Even if the projects aren't related, having someone to share ideas and discuss hurdles with is vital to keeping an open mind and developing creative solutions. Sometimes a change of perspective makes a world of difference.

4. Become an Observer




Study the world and the people in it, wherever you go. Whether sitting at the coffee shop or attending a local event, don't pass up opportunities to broaden your horizons and observe the world around you. The goal of design is to send a message or solve a problem. It's easier to communicate that message when you know your audience, and there's no better way to understand it than to engage and observe it in action. Learning not only how people respond to one another, but also how they interpret and interact with objects in their everyday lives can go a long way toward inspiring good visual communication.

5. Explore Other Creative Interests


Working every day on the same types of projects can become a bit of a drain. It's easy to get stuck in a creative rut and fall into patterns that you may not even realize exist. Exploring other creative interests, like photography, music or writing, can give you an outlet that's different enough to keep your mind stimulated, but still keep you thinking about design from a different perspective.

6. Collect Inspiration




Start collecting things you feel are well-designed, either by putting the actual product (such as a magazine ad or a mailer) into a binder, or saving digital photos and screenshots. Ideally, do both. A digital collection is more efficient and can be much larger, but a small physical collection of nicely designed things can be great to flip through for inspiration. Try and go a step beyond just saving things in a pile, however. Whenever you add an item to your collection, take a few minutes to include a note about what it was you liked about the piece and why you felt it worked. In this way, you're not just saving pretty pictures to emulate, but forcing yourself to examine the piece and study why it's good, drawing lessons from it that you can then apply to your own work.

7. Get Involved in a Good Cause


If you have the time to spare, consider putting your skills to use for a cause you believe strongly in. Not only will you be helping out an organization you support, but regardless of what you may be doing at work, you'll have a creative outlet that you can enjoy and feel good about. Not only that, but you'll be working with people who likely will very much appreciate your efforts. That's good karma all the way around, and when you feel good about your work, you'll produce higher quality results across all of your projects.

8. Get a Good Night's Sleep




Sleep deprivation can be as hard on the body as drinking. It's difficult to focus when you're tired, and you're not going to have any major creative insights if you're simply going through the motions between cups of coffee. Of course, you may have to pull the occasional all-nighter to meet a deadline, but try to get good sleep on a regular basis. Poor sleep habits over long periods of time can also contribute to depression and negatively affect your physical health, which are definite creativity killers. When your body is not at its best, neither is your mind.

9. Learn Something New Every Day


Never stop learning — the world is a big, complicated place and there's always something new and exciting right around the corner. Maybe you want to pick up a new language (spoken or programming — take your pick), master a new skill or just consume a few interesting trivia tidbits. Simply put, the more things you know, the more reference material you'll have to draw upon whenever you're trying to solve a task. The more research you do, the better you'll understand the process of discovery. Natural curiosity and creativity go hand-in-hand.

10. Take Breaks


If you're in the zone and find yourself working for hours on end, go ahead and embrace it. When that feeling hits, you can often produce some of your best work. More often, though, a couple of regular, scheduled breaks throughout your work day can serve as a great way to revitalize and re-energize. Losing yourself in your work is great, but getting lost in a project you're struggling with can make for some real creative bottlenecks. By forcing yourself to stop and step away from the desk, you're almost guaranteed to see the problem in a new light upon your return.

11. Use a Mood Board




Get back to the basics of design: space, balance, texture, repetition, line, color. We often get so used to incorporating all of these elements together, that we don't give a lot of thought to them individually. Sometimes, though, it helps to think about the individual design elements first and then work on the whole. Mood boards are a great way to work on establishing an overall feel for a project without being burdened by specifics.

12. Don't Feel Guilty


Sometimes, no matter how hard you try or what you do, things just don't work out. If you have more than one or two days like this in a month, then you might want to look into why that's the case, but everyone has an off day now and then. The important part is not to let it get you down. Find other productive ways to occupy your time, learn a new skill, catch up on paperwork or return phone calls and emails. Stop your work on a positive note and then take a break, relax, and try again tomorrow.

Series Supported by Wix.com



The Web Designer Series is supported by Wix.com, which brings amazing technology home to everyday people. Discover the amazing simplicity of its online Flash builder and enjoy creating beautiful websites with powerful drag and drop interface.


Cisco to shutter Flip camera business

Wow. This seemed to have such promise only a few years ago. Though I rarely used mine soon after I bought it...

starMacworld
April 12, 2011 10:32 AM
by Jim Duffy

Cisco to shutter Flip camera business

Cisco to shutter Flip camera business Cisco reportedly plans to shutter its Flip videocam business in a restructuring of its consumer operations following a disappointing string of quarters.

Wonderfully Creepy Sculptures Carved From Bananas

They're all still oddly sexual...

starLaughing Squid
April 12, 2011 3:00 PM
by EDW Lynch

Wonderfully Creepy Sculptures Carved From Bananas

Banana sculpture by y_yamaden
Banana sculpture by y_yamaden
Banana sculpture by y_yamaden
Banana sculpture by y_yamaden
Maybe it's their gooeyness or their unsettling curvature, but these sculptures carved from ripe bananas by Japanese artist y_yamaden are wonderfully creepy.
via Geekologie
photos by y_yamaden


Art Food Japan

Crime Scene Fleece Throw

WANT!!

starNeatorama
April 12, 2011 3:25 PM
by Tiffany

Crime Scene Fleece Throw

Spring is here! Are you looking for the perfect picnic blanket? You need the Crime Scene Fleece Throw from the NeatoShop. It's to die for!
Be sure to check out all the fiendishly funny Home & Garden items available at the NeatoShop!
NeatoShop Features crime fleece scene throw

Monday, April 11, 2011

Gary Oldman Attends “O” by Cirque du Soleil

More info and group pic at http://jslo.co/fUcdQ3

Chicks with Steve Buscemi Eyes

Now this is a blog I could get off on. So to speak...

starNeatorama
April 11, 2011 11:53 AM
by Stacy

Chicks with Steve Buscemi Eyes

Ever wonder what some of Hollywood's hottest starlets would look like if they had Steve Buscemi's eyes? No? Well, thanks to the amazing Photoshop work of Chicks with Steve Buscemeyes, now you won't be able to stop wondering. Is it just me, or does Taylor Swift with Steve Buscemeyes look a lot like Heather Graham?

Link via AVClub

Design Everything Else Buscemeyes celebrities Photoshop Steve Buscemi

Thursday, November 25, 2010

White Clown!

Luckily, life after Kooza doesn't necessarily mean unemployment!

At the end of Kooza's run in Calgary last month, my drive to Las Vegas was event-filled to say the least. Within the span of 24 hours, I experienced a roller-coaster of emotions thanks to a series of completely unrelated occurrences.

First thing in the morning, on the last leg of my trip to Vegas, I get pulled over for speeding in Utah. Sure, I'm doing 90 in an 80 zone, but when I look in my rear view mirror, I see what looks like a Ford Mustang with two huge muscle stripes painted on the hood and over the roof. I'm thinking this hotshot is tailing me and wants to pass me. So I move over to the right, but he doesn't pass. So I go back left to pass a slow truck, then merge right again. He still doesn't pass. I don't know what this guy's game is until he throws on his flashers, and pretty soon I'm a few hundred bucks in the hole. Thank you, Online Traffic School for erasing my points. Those are 5 hours of my life I'll never get back.

When I get to Vegas in the early afternoon, everything is in high gear to prepare for a huge Halloween party that night at our friends Ben and Ross' house--a huge yearly blowout party that is always bigger than the year before it. The problem is, every year there seems to be more and more people there that fewer and fewer people know, which as one can imagine, could lead to mischief.

The party was great. Robin painted Ben and our friend Sarah as the Avatar couple, which of course took several hours. I hadn't seen her or my little guy Leo for three weeks before it, so I was catching up with them. Robin was dressed as a medieval princess, I was a swarthy knight, and Leo was a miniature dragon. We left a little early to put the little guy to sleep, but we realized that Robin left her phone at the party and I left my jeans. The next morning we went back to the house to retrieve them, only to find out that at the end of the party, around 4am, some girl who no one knew at snuck around the party and quietly stole people's bags, purses, phones, etc. and drove off. She barely drove a mile away, when she got into a huge car accident. She stumbled back to the party and told the other party-goers that someone stole her car and crashed it. By this point, people were noticing that their stuff was gone. They went to the crash site to investigate and found a bunch of their items strewn about.

Robin and I started to worry for our stuff--I had also left a brand new lens for my camera there, a $2K value. Amazingly it was still there right by the door, as were my jeans, but wallet was missing. And Robin's phone was nowhere to be found.

As we were desperately scrounging for our stuff, I'm beside myself with anger thinking I have to cancel all my cards and go to the DMV for a new license, Robin is crying because EVERYTHING is on her phone, and she has HUGE Halloween body painting jobs in the next three days. Moments later, I get a phone call from Cirque du Soleil casting, wondering if I'd be interested in a temporary position playing the White Clown in "O" at the Bellagio. It's at this point that I'm overcome with completely opposing emotions of joy and dread, quite a unique sensation.

Then, Ben gets a phone call from a synchro swimmer in Le Reve saying she got her purse back from the crash site, and my wallet was in it! So this thief girl went around picking up a bunch of stuff, including her purse, then she grabs my wallet from my jeans and puts it in her purse! I'm able to get my wallet back later that day, but Robin wasn't as lucky. It turns out all the phones that were taken were not recovered. This girl had an accomplice that made off with a good number of things from the crash site. She was subsequently arrested--not sure what became of her.

Luckily, the people at the AT&T store were surprisingly helpful, I think it helped that I brought Leo in to charm them. They were able to replace Robin's iPhone 4 for about $250, whereas an incident like this could have cost upwards of $700. So minimal damage done. I got my wallet back and a new job!

But it does make me a little worried about the state of things in Las Vegas. The housing market is not showing any signs of improvement, and reports of crime seem to be rising. We're going to have to be extra vigilant now that we're moving back there, relying on our home security system, not leaving anything of value in our cars, etc. But for better or for worse, we'll soon be calling Vegas "home" once again!

My stint in "O" begins rehearsals on December 21st, and my first show is scheduled for December 26th. And my contract goes until March 20, 2011. If you're in Vegas and have the means, please come check me out! It's a phenomenal show, and my part is a pretty sweet one!

Monday, October 11, 2010

Sunday in the Park with Cheetah


Please take a quick moment to vote 5 Stars for us!

LionHeart Theatrics, SkinCity Body Painting, Miron Rafajlovic, and I have collaborated on a TV commercial contest challenge for Cheetah Power Surge Energy Drink.

Corine Latreille and Sergey Nazarov, an engaged couple who perform a breathtaking hand-to-hand act in Kooza, approached me several months back about entering this contest they had heard about. They had seen my filmmaking work before, both in personal projects and with LionHeart, as well as collaborating with them most recently on SkinCity’s Missing Puzzle Piece project.

Coming up with the ideas for the commercial was easy, especially with their incredible talents and our adorable son! We found a great location in Vancouver, BC’s gorgeous Stanley Park.

My wife Robin quickly whipped up some beautiful sketches for body painting both of them, roped artist Jason Brass in to assist, and we were on our way. We were all thrilled with the results. And we hope you are too.

Please visit our contest page and vote 5 Stars for us. There’s good money to be won, and since I'll be leaving my cushy Cirque job at the end of the year, this would be good diaper money!

Click here for more behind-the-scenes photos!





Saturday, August 14, 2010

The Time is Now!

All good things must come to an end--even a great thing like Cirque's Kooza. On Friday the 13th, I signed my non-renewal letter for the show, officially stating that I won't be going to Japan with the show in 2011.

Probably the most difficult decision in my life. On the one hand, spending a year and a half in Japan, continuing in my secure job with great benefits for my family was incredibly enticing. On the other, focusing on being a father, working on re-imagining myself as an artist, and resting in the pool in my backyard was a little more enticing. We will for sure miss the great friends we made on tour and the amazing one-of-a-kind talents each person brought to the show.

My superhero wife was very supportive of either decision. And even she was torn about which she would rather do--an incredible experience in the Far East for both her and our little Leo, or continue her skyrocketing bodypainting business in Las Vegas. Ultimately, Vegas won out.

It's a great thing for all of us. And although the Cirque salary won't be there, we have strong feelings that the next stages in our careers and personal lives are going to fill us with more wealth than we ever imagined.

And we can't do it without you. Every success I've had was thanks in large part to friends--more so than colleagues, more so than luck, maybe more so than talent. I can't thank my friends enough for their support and love. I am happy to return the favor. And now is the time when we could use your help again. Even if it's just some words of encouragement, keeping an eye on our comings and goings, all the way up to giving us a job--it's you that I turn to. You're all that I've got, and it's more than enough.

That said, I'm now a free agent as of January 2011. I'm planning on getting some roots replanted in Vegas for a little while, but I'd love to field any and all opportunities. Some of you may have heard about my buying a fancy camera and some lenses. Another money making idea is for Robin and I to start taking stock photos to sell. I mean have you SEEN my son?! I for one think his mug could easily send him to college! And, who knows? Maybe photography will be my next big thing. I'll give it a shot!

So come on over and follow me on my new Twitter account. I've also started a photography Facebook page. And no photographer is complete without their Flickr page. Website and photoblog are soon to come as well, stay tuned. Of course, there are the usual webby areas to keep an eye on, including my Showman website, SkinCity Body Painting's website, and Robin's art website. Don't be a stranger!

For now, Robin, Leo and I will enjoy the rest of our time in Kooza in Vancouver, Calgary and Miami before landing back into Sin City. Life keeps getting more exciting!

Tuesday, May 25, 2010

Unbelievable Clown Hating Bullcrap




So far, the New York Times has yet to approve my response to Neil Genzlinger's review of Banana Shpeel. Until then, I'll reprint the review and my response here.

-----

The review:

Dear Theater Ethicist: Should I feel guilty that, for me, the most satisfying moment of Cirque du Soleil’s “Banana Shpeel” came when a clown was riddled with mock machine-gun fire?

Dear Theatergoer: No. For one thing, the “mock” suggests that the clown was probably not seriously wounded. For another, clown eradication is something that would benefit all of humanity and would certainly benefit this show, which is not as entertaining as something that lasts almost two and a half hours ought to be.

“Banana Shpeel,” written and directed by David Shiner (who created the wonderful “Fool Moon” with Bill Irwin), is partly a vaudeville-ish variety show and partly a scripted story involving some clowns who vex an impresario named Marty Schmelky (Danny Rutigliano). The variety-show acts — Coney Island with very, very high production values — are diverting enough: a woman (Vanessa Alvarez) who juggles mats with her feet; a hat juggler (Le Tuan); a muscular fellow (Dmitry Bulkin) who does all sorts of gymnastic things around and atop a pole; three somewhat creepy contortionists.

These elements are, in short, the kinds of polished routines Cirque fans have come to expect at the troupe’s ever-growing collection of shows: impressive physical feats performed in cool costumes (by Dominique Lemieux) and bathed in arresting lighting (Bruno Rafie). But they take up less than half of this extravaganza, whose New York opening — a retooled version of a show that critics treated harshly last year in Chicago — was delayed several times. The rest is devoted to production numbers and the lazily written story of Schmelky and the clowns.

Schmelky is a bombastic showman who early in the show oversees “clown auditions.” The three competitors escape backstage and spend the rest of the show harassing him. In the process Schmelky tries on a personality change — trading his anger for a more Zen-like approach — but it’s hard to care because the character is thinly drawn, and Mr. Rutigliano doesn’t invest him with any sympathetic qualities. You know your show has a bad book when the audience spends its time wishing the lady with the juggling feet would come back.

Give the clowns their due: they are sometimes funny, with Patrick De Valette getting the most laughs, primarily because he’s wearing a raincoat and isn’t shy about flashing his orange undies. But with clowns, less is always more. By Act II these have worn out their welcome. The high point of the show’s second half — besides that machine-gunning — is provided by the lighting and costume designers, who combine for the production’s most eye-popping bit, a dance under black light featuring outfits that seem to change color as the number goes along.

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And my response:

I have not seen this show, so I cannot speak on Mr. Genzlinger's review of it. And I have, in the past, worked intimately with four of the clowns in this show, as well as the director, so I am not without bias.

However, I take umbrage with Mr. Genzlinger's blanket distaste for all clowns. He snarkily writes of the benefit of clown eradication and in the next breath calls Fool Moon "wonderful"--a clown show created and performed by clowns. This leads me to believe that Mr. Genzlinger really doesn't dislike all clowns, but rather he was making a cheap and artless remark against an art form that is already much maligned these days. Do you wish Buster Keaton's work be eradicated? Dick Van Dyke? Carol Burnett? Roberto Benigni?

I wish my friends Claudio, Daniel, Gordon and Wayne, as well as Patrick, Danny, and the rest of the cast and crew a long and successful run. And I wish Mr. Genzlinger many fitful nights as he is haunted--nay, devoured--by creatures in rainbow wigs and polka dot pants in his dreams.

Sincerely,
Jimmy Slonina
Clown

Friday, April 23, 2010

Social Media - LIVE!

I'm on Twitter. And I enjoy reading news, what my friends are doing, ephemera, and also what people think about Kooza. I keep an eye on people coming to see the show as well as people who have already seen the show and sharing what they think. That's not a new concept. Businesses often look to Twitter to see what their customers are thinking and then use that information to their advantage, or not.

For me, I'm mostly just curious. But every once in a while, more often than I'd like I run across a tweet like this:
Off to Cirque de So Lame with my family despite a particular dislike of clowns.
Now right off the bat, he's knocking the Cirque company, eluding that he's probably just gonna have a bad time no matter what. But add to that, he mentions the clown thing. Any follower of my blog should know how I feel about clown haters. This one too. But I thought I'd let it go. Then, less than an hour later, he pushes further:
"Coulrophobia is abnormal or exaggerated fear of clowns." Bugger off! If there's anything that's abnormal or exaggerated, it's a clown.
Okay, so the guy is starting to have an annoyingly good time with his clown-bashing venom, and does so by popping onto Wikipedia for some zinger fodder. I'm trying to keep my cool. A follower of his pipes in, somewhat ignorantly:
Last I checked, there aren't really clowns at Cirque du Soleil...
To which our first guy says:
 My ass there are no clowns at Cirque desolé!. It's like the friggin' Blaire Witch Project with grease paint.
And with that, I held my tongue no longer. During the show I wrote to him, knowing full well he'd read it at intermission:
"Blair Witch Project with grease paint"--Great line! Hope we didn't totally ruin your night. See you in your nightmares!
Intermission rolls around. This pops up:
"Hope we didn't totally ruin your night. See you in your nightmares! *<:o) /via @jimmyslo". From the clown. In the show. On stage!
And then three minutes later:
Totally p0wn3d — or should that be c70wn3d by @jimmyslo from somewhere in the tent about 2 minutes into intermission.
And then five minutes after that, directly to me:
Well played. Truly well played, my funny friend. How on earth did you even see my tweet? I'm not sure if I'm reassured or freaked.
Then Ron, my fellow clown chimed in to both of us:
Why don't you two just get a room? Geez.
To which I respond to both of them:
Well I DO know where he's sitting. Hint: Look behind you!
Quoth the guy:
aaaaaaahhhhhhhhh!
And then even his wife got in on the action:
This is his wife and I SO want to tell you where we're sitting.
Despite my encouragement, she didn't. At the end of the show, our guy gives his final thoughts:
I had a great time, guys, and should be able to sleep with the lights off in a few weeks.
Mission accomplished? Have we won this guy over? By playing into his bullshit fear or hatred of clown, have I turned him around?

I'm mostly tickled by the idea of using Twitter as another performance layer. Meta-cyber-theatricality. Taking audience reactions, or even pre-actions, from the web and using them in the performance. At one point in the show when I'm screaming with fear, I screamed this guy's name, followed by "I'm...so...scared!!" ala Blair Witch Project.

It isn't even the first time this was done in Kooza. My former clown partner, Christian and I would scour through Twitter for just this kind of opportunity. It not only gives us instant feedback on the show from the public, but we also get their preconceived notions and, when possible, we can use them as an added advantage for our control. It's like a performance within the performance JUST for them!

The evil clowns just got evil-er.